The use of simple geometric shapes combined with a strong use of light and shadow will give Chase a graphical identity. Constant change of color will play an important role in display of emotions not only by the different ‘characters’, but in their background as well.

Slow change of colours and shape will give Chase, despite its graphical look, an organic feel. A sudden change into stronger colors and motion can stir the ambiance into a completely opposite, more hostile and aggressive environment. These continuously changing colors and shapes could be seen as a kind of respiration that will be perceptible throughout the film.

One of the main issues will be to establish the best way to have the spectator identify himself with an abstract world. The lack of means to identify oneself with this abstract world will be balanced by the emphasis on camera movement, montage and music. To ease the identification, scenes or shots from well known ‘pursuit’ movies can be translated into an abstract version of the original.

The dramatic effect of music and soundscape will be essential in amplifying the emotional power of the film. This also includes research into the use of soundscape in pursuit scenes. For example: squeaking doors, squealing tires, rattling chains etc. It could be interesting to look for abstract translations in music for these somewhat cliché soundeffects.